Music Royalties 101 | Strong Fundamentals of Music Publishing

What are Music Royalties?

Music royalties are a crucial aspect of the music industry, and help ensure that creators and rights holders are compensated for their work. In simple terms, royalties are payments made to the owner of a creative work for its use or distribution. When it comes to music, royalties are paid to the creators, performers, and other rights holders for the use of their music in various forms.

There are various types of music royalties, which are paid in different ways, depending on the use of the music. This awesome music business book by Ari Herstand goes into good detail about music royalties. Some of the most common types of music royalties include:

Performance Royalties

Performance royalties are a type of music royalties earned by songwriters, composers, and publishers when their music is publicly performed or broadcasted. This includes performances on radio and television, live concerts, music played in public venues such as bars and restaurants, and other public performances. Performance royalties are collected and distributed by performing rights organizations (PROs) such as ASCAP, BMI, and SESAC in the United States, and similar organizations in other countries.

Performance music royalties are an important source of income for music creators, as they are generated whenever their music is played in public, regardless of whether it is in a live setting or through a broadcast. This type of royalty helps compensate artists and songwriters for the use of their music in various public contexts and encourages them to continue creating new music.

The rate of performance music royalties is typically determined by various factors, including the type of performance, the size of the audience, and the location of the performance. PROs use complex formulas and data analysis to calculate and distribute performance royalties accurately. These royalties are usually paid to the copyright owner of the composition, which is typically the songwriter or their publisher, and not the performer of the music.

Performance music royalties are an important income stream for music creators, especially for those who have their music frequently played on the radio, television, or in public performances. They provide a continuous source of revenue that can help support the livelihood of artists and songwriters, and enable them to continue their creative endeavors.

It’s worth noting that performance royalties are separate from mechanical royalties, which are earned when music is reproduced or distributed, such as through sales of CDs, vinyl records, digital downloads, and streaming services. Both types of royalties are important for music creators and are typically managed by different entities, with PROs handling performance royalties and mechanical royalties being collected and distributed by other means, such as through record labels or digital distributors.

Performance music royalties are a crucial type of music royalties that compensate artists, songwriters, and publishers for the public performance of their music. They provide an ongoing source of income and play a vital role in supporting the livelihood of music creators, while also incentivizing them to continue creating new music for the enjoyment of audiences around the world.

Mechanical Royalties

Mechanical royalties are a type of music royalty earned by songwriters and publishers when their music is reproduced or distributed in a physical or digital format. This includes sales of CDs, vinyl records, digital downloads, and streaming services. Mechanical music royalties are an important source of income for music creators, as they are generated whenever their music is sold or streamed, allowing them to be compensated for the use of their creative works.

The term “mechanical royalties” originated from the early days of the music industry when music was physically reproduced using mechanical means, such as through the use of mechanical pianos or music boxes. Today, with the rise of digital music, mechanical royalties also apply to the reproduction and distribution of music in digital formats.

Most streaming platforms have minimum length of time that a song has to be playing in order for the stream to generate a mechanical royalty. For example, Spotify requires that a song is streamed for at least 30 seconds before it generates a mechanical royalty.

Mechanical music royalties are usually paid to the songwriter, composer, and publisher of the music, and are collected by organizations such as the Harry Fox Agency and SongTrust.

The rate of mechanical music royalties is usually set based on a per-unit basis, such as per song or per album sold. In the United States, the current statutory mechanical royalty rate is 9.1 cents per song, per unit sold, or 1.75 cents per minute of playing time for songs over 5 minutes. However, mechanical royalty rates may vary by territory and are subject to negotiation between the copyright owner and the entity reproducing or distributing the music.

Mechanical royalties are typically paid to the copyright owner of the composition, which is usually the songwriter or their publisher. These royalties are collected and distributed by entities such as record labels, music publishers, or digital distributors, who are responsible for accounting and payment to the appropriate parties.

Mechanical music royalties are an essential income stream for songwriters and publishers, as they provide compensation for the reproduction and distribution of their music in various formats. They play a critical role in supporting the livelihood of music creators and incentivizing them to continue writing and producing new music.

It’s important to note that mechanical royalties are separate from performance royalties, which are earned when music is publicly performed or broadcasted. Performance royalties are typically collected and distributed by performing rights organizations (PROs) and compensate songwriters and publishers for the use of their music in public performances, such as on radio and television or in live concerts.

Mechanical music royalties are a significant type of music royalty that compensate songwriters and publishers for the reproduction and distribution of their music in physical or digital formats. They provide a vital source of income for music creators and play a crucial role in supporting their creative endeavors.

Synchronization Royalties

Synchronization royalties, commonly referred to as sync royalties, are a type of music royalties earned by music creators when their music is used in synchronization with visual media, such as films, TV shows, commercials, video games, and other audiovisual productions. Sync music royalties are generated when music is synchronized with visual images or scenes, creating a powerful synergy that enhances the overall impact of the visual media.

Sync music royalties are negotiated and paid by the entity that wishes to use the music in their audiovisual production, such as a film production company, a TV network, or an advertising agency. The amount of sync royalties can vary widely depending on factors such as the popularity of the music, the prominence of its use in the visual media, and the negotiation between the music creator and the entity using the music.

Sync music royalties are an important source of income for music creators, as they offer a unique opportunity for their music to be exposed to a wide audience through popular visual media. Sync placements in movies, TV shows, commercials, and video games can provide significant exposure and can generate substantial royalties for music creators, allowing them to earn additional income and reach new audiences.

Sync music royalties are typically split between the copyright owner of the composition (usually the songwriter or their publisher) and the copyright owner of the sound recording (usually the record label or the artist). The composition refers to the musical elements of the music, such as the melody, lyrics, and underlying musical composition, while the sound recording refers to the specific recording of the music by a particular artist or band.

Sync music royalties are often negotiated on a case-by-case basis, and the terms and conditions can vary depending on the specific usage of the music in the visual media. This may include factors such as the duration of the usage, the territory or market where the visual media is being distributed, and the exclusivity or non-exclusivity of the usage.

In recent years, sync music royalties have become an increasingly significant income stream for music creators, as the demand for music in visual media has grown with the proliferation of streaming platforms, online advertising, and digital content creation. Sync royalties offer music creators the opportunity to showcase their music in a new and exciting way, while also providing them with a valuable source of income.

In conclusion, sync royalties are an important type of music royalties that compensate music creators for the use of their music in visual media such as films, TV shows, commercials, and video games. They provide a unique opportunity for exposure and income generation, while also adding a creative element to visual media. Sync royalties are an important income stream for music creators and play a significant role in supporting their artistic endeavors.

Some music distributors (e.g. CD Baby) offer sync music licensing as part of their distribution services. If you music distributor does not, then you’ll want to find other avenues for having your music played on the big/small screen. This article from Ari’s Take shares a few Sync Agents & Music Supervisors who may help you. You can also look for a music agency that works with sync licensing.

Music print royalties are a type of music royalty earned by music composers and publishers when their sheet music is printed and sold. Sheet music refers to the written notation of a musical composition, including the melody, chords, and lyrics, which is typically used by musicians to perform the music on instruments or to sing.

Print royalties are generated when sheet music is sold to individuals, music stores, or other retailers, either in physical or digital format. These royalties are typically calculated based on a percentage of the retail price of the sheet music or a fixed amount per copy sold. The specific rate of print royalties may vary depending on the negotiation between the music composer and the publisher or retailer.

Print royalties are an important income stream for music composers and publishers, as they provide compensation for the use of their music in sheet music form. Sheet music sales can be particularly significant for classical and contemporary classical composers, as well as for songwriters whose music is popular among musicians or music educators.

Print royalties are typically collected and distributed by music publishers, who are responsible for printing, distributing, and selling the sheet music. Music publishers also handle the accounting and payment of print royalties to the appropriate parties, which may include the music composer, the publisher, and any other relevant stakeholders.

In recent years, with the rise of digital music and online sheet music sales, print royalties have evolved to encompass digital sheet music sales as well. Digital sheet music sales may occur through online platforms, websites, or apps that offer downloadable or printable sheet music. Digital print royalties are typically calculated based on a percentage of the sale price or a fixed amount per download or copy sold.

Print royalties are an essential income source for music composers and publishers, as they allow them to earn revenue from the sale of sheet music and compensate them for the use of their creative works. Sheet music sales not only provide income but also promote the dissemination of music and facilitate its performance by musicians and singers.

Music print royalties are a significant type of music royalty that compensates music composers and publishers for the sale of sheet music. They are an important income stream and contribute to the dissemination and performance of music. Print royalties are typically collected and distributed by music publishers and play a critical role in supporting the livelihood of music creators.

These royalties are usually paid to the songwriter, composer, and publisher of the music, and are collected by organizations such as the Music Publishers Association.

Grand Rights Royalties

Music grand rights royalties are a type of music royalty earned by music composers and publishers for the use of their music in theatrical productions, such as operas, musicals, ballets, and other large-scale performances. Grand rights royalties are distinct from other types of music royalties, as they involve the use of music in a dramatic context that includes a visual and narrative element.

Grand rights royalties are generated when music is used in theatrical productions that involve acting, staging, choreography, and other theatrical elements. This can include performances of entire operas, musicals, or ballets, as well as excerpts or arrangements of the music used in these productions. Grand rights royalties are typically negotiated and paid by the producers or organizers of the theatrical production, and the rates and terms may vary depending on the negotiation between the music composer and the production entity.

The term “grand rights” originated in the context of opera performances and refers to the exclusive right of the music composer or publisher to grant permission for the use of their music in a dramatic production. The concept has since expanded to include other theatrical productions beyond opera, such as musicals, ballets, and other large-scale performances.

Grand rights music royalties are typically calculated based on a percentage of the gross box office receipts, or a fixed fee, depending on the agreement between the music composer and the production entity. The specific rate of grand rights royalties may vary depending on various factors, such as the popularity of the music, the scale of the production, the duration of the performance, and the exclusivity or non-exclusivity of the usage.

Grand rights royalties are an important income stream for music composers and publishers, as they provide compensation for the use of their music in theatrical productions that involve a dramatic narrative and visual elements. These royalties can be a significant source of income for composers of operas, musicals, ballets, and other large-scale theatrical productions, as they are often complex and labor-intensive works that require substantial investment of time, effort, and creativity.

In conclusion, music grand rights royalties are a unique type of music royalty that compensates music composers and publishers for the use of their music in theatrical productions. They are an important income stream for composers of operas, musicals, ballets, and other large-scale performances, and play a crucial role in supporting the creation and performance of these complex and artistic works. Grand rights royalties are typically negotiated and paid by the producers or organizers of the theatrical production, and the rates and terms may vary depending on the specific agreement between the parties involved.

Neighboring Royalties

Music neighboring rights royalties are a type of music royalty earned by performers and recording artists for the use of their recorded music in public performances, broadcasts, and digital streaming services. Neighboring rights royalties are distinct from other types of music royalties, as they focus on the rights of performers and recording artists rather than music composers or publishers.

Neighboring rights royalties are generated when recorded music is publicly performed or broadcasted in various settings, such as on radio stations, TV stations, live performances, background music in public places, and digital streaming platforms. These royalties are typically collected and distributed by performance rights organizations (PROs) or collective management organizations (CMOs), which are responsible for tracking and collecting royalties on behalf of performers and recording artists.

Neighboring rights royalties are calculated based on various factors, such as the type of usage, the audience size, the territory, and the duration of the performance or broadcast. For example, royalties for music played on radio stations or TV stations may be calculated based on the station’s advertising revenue or audience size, while royalties for live performances or digital streaming may be based on the number of performances or streams.

Neighboring rights royalties are an important income stream for performers and recording artists, as they provide compensation for the use of their recorded music in public performances and broadcasts. These royalties can be a significant source of income for artists who rely on live performances, such as musicians, singers, and bands, as well as for recording artists whose music is streamed extensively on digital platforms.

Neighboring rights royalties are recognized in many countries around the world, although the specific laws and regulations may vary by territory. In some countries, neighboring rights royalties are protected by copyright law, while in others they are protected by neighboring rights or related rights laws. It is important for performers and recording artists to understand the legal framework and regulations regarding neighboring rights royalties in their respective territories, and to register with PROs or CMOs to ensure proper collection and distribution of royalties.

In conclusion, music neighboring rights royalties are a significant type of music royalty that compensates performers and recording artists for the use of their recorded music in public performances, broadcasts, and digital streaming services. They are an important income stream for artists and play a crucial role in supporting their livelihoods. Neighboring rights royalties are typically collected and distributed by PROs or CMOs, and the rates and terms may vary depending on various factors. It is essential for performers and recording artists to understand and manage their neighboring rights royalties to ensure fair compensation for their creative works.

Neighboring rights are important for performers and record labels because they allow them to control how their performances and recordings are used, and to earn revenue from their use. also help to ensure that performers and record labels are fairly compensated for their contributions to the music industry. This type of music royalties are collected by organizations such as SoundExchange.

Recent Developments

In recent years, there have been significant changes in the way that music is consumed and distributed. The rise of digital platforms like Spotify and Apple Music have had a major impact on the music industry. Streaming services now account for the majority of music consumption.

However, one of the biggest issues currently facing the music industry is the amount of royalties paid for each stream. While these platforms have revolutionized the way that music is listened to, they have also been criticized for their low payment rates to artists and other rights holders. Many artists have spoken out about the need for fairer payment models. There have also been calls for greater regulation and transparency in the industry.

Music Modernization Act

In response to these challenges, there have been efforts to reform the music industry and create fairer payment models for creators and rights holders. One example is the Music Modernization Act (MMA), which was signed into law in the United States in 2018.

The MMA aims to modernize the music licensing system and improve the way that royalties are paid to creators and rights holders. It includes provisions to improve the collection and distribution of digital music royalties, and created the Mechanical Licensing Collective to manage mechanical royalties.

The MMA has been hailed as a significant step forward for the music industry, and has been widely supported by artists, songwriters, and industry organizations. However, there are also concerns that it may not go far enough in addressing the underlying issues with music royalties.

Streaming Services & Blockchain

One alternative model of music royalties that has gained attention in recent years is blockchain-based music distribution. Blockchain technology offers a decentralized and transparent system for managing music royalties. Some companies, such as Resonate, are already experimenting with blockchain-based music distribution models.

While the widespread use of the blockchain and Web 3.0 has yet to be implemented, it is exciting to see how that technology will shape the industry in the long term.

Conclusion

As the music industry continues to evolve and adapt to new technologies and distribution models, it will be important to ensure that music royalties keep pace with these changes.

Broader education, accountability, and transparency will help musicians and other rights holders ensure that they collect of the music royalties that are generated from their work.

Additional Reading

Do you use orchestral woodwinds instruments in your mixes? Read our article about the 10 of the top Woodwind VSTs. You can also read our comparison between the IzoTope and the FabFilter plugins by reading this article.

Interested in finding a solid midi controller for music production? Read our article about the 6 of the best midi controllers. Also, here are 9 of the best microphones for musicians and 9 great headphones for music production

Breve Music Studios publishes music to Spotify, YouTube Music, Amazon Music and more. Follow our pages on Facebook, Instagram, Twitter, TikTok, and YouTube.

Listen to our ensembles on Spotify: Breve Orchestra, Breve Music Ensemble, Breve Low Brass Ensemble, Breve Woodwind Ensemble, and Jermaine Harris.

Breve Music Studios publishes music for Breve Orchestra, Breve Low Brass Ensemble, Breve Music Ensemble, and Breve Woodwind Ensemble.
Breve Music Studios publishes music for Breve Orchestra, Breve Low Brass Ensemble, Breve Music Ensemble, and Breve Woodwind Ensemble.